Jack Rabbit


E10 · Wooden Wonders

E10 · World Icons US
Jack Rabbit
Kennywood · US · Terrain out-and-back with double-down, 1920
Jack Rabbit — Terrain out-and-back with double-down, Kennywood
UNOFFICIAL · NOT PARK-ENDORSED PHOTO · Larry Pieniazek, User:Lar , (primary) · CC BY 2.5 · via Wikimedia Commons
Height 12.2 m
Speed 72 km/h
Inversions 0
Throughput 800est. rph
Build Cost $0.1est. m
Vintage 1920
COMMON “The ravine does half the work, and Pittsburgh applauds the rest.”
World Icons № 66/150

E10 · № 66/150

Jack Rabbit

Kennywood · US · John A. Miller & Harry C. Baker Terrain out-and-back with double-down

“The ravine does half the work, and Pittsburgh applauds the rest.”

UNOFFICIAL · NOT PARK-ENDORSED

Collect this card free →

Fast facts

The story of Jack Rabbit

The Jack Rabbit arrived with the new decade in 1920, when Kennywood was beginning one of its grandest periods of growth. Set upon a natural ravine in the Monongahela Valley, it made the park’s own hillside part of the journey. kennywood.com· kennywood.com

John A. Miller’s engineering was as important as the scenery. Kennywood describes the coaster as an early user of under-friction, or upstop, wheels, the quiet invention that kept the train to the track and allowed the famous double-dip to be taken with confidence. kennywood.com· kennywood.com

The National Park Service nomination for Kennywood noted the ride’s 2,132 feet of track running through a ravine at the park’s edge, with the higher part of the double dip above and the lower part at the ravine floor. It is a coaster that belongs to its ground. npgallery.nps.gov

Generations of Pittsburgh visitors have made a small ceremony of boarding it. More than a century on, Kennywood still presents Jack Rabbit as its oldest surviving coaster, and American Coaster Enthusiasts has recognized it as a Roller Coaster Landmark for historic significance. kennywood.com· aceonline.org

Sources

This background is AI-drafted from public sources and human-reviewed before publishing — approved 20 August 2026.

← Back to the full set